Using this program, you can represent musical notes in text format.
The simplest program looks like this:
Type the word C and press F5 to play the note C.
The register of letters does not matter.
You can type the letter C and it will also play the note C.
C, D, E, F, G, A, B
octave small
C whole
C 1
C half
C 1/2
C 2
C quarter
C 1/4
C 4
octave first
C eighth
C 1/8
C 8
C sixteenth
C 1/16
C 16
C thirty second
C 1/32
C 32
//Specifying pauses in milliseconds for increased accuracy
octave second
C 564
C 121
//The number after the note defines the octave. Must be written as one word!
C4 flat whole
C4 1
C5 half
C5 flat 1/2
C5 2
C4 quarter
C4 1/4
C4 4
C1 eighth
C1 flat 1/8
C1 8
C2 sixteenth
C2 sharp 1/16
C2 16
C3 thirty second
C3 1/32
C3 sharp 32
//Specifying pauses in milliseconds for increased accuracy
B0 sharp 564
B0 flat 123
pause whole
B0 whole
//Here the number 4 denotes a quarter note, not 4 milliseconds.
B0 4
B0 4
B0 4
pause whole
Pause 1
pause half
Pause 1/2
Pause 2
pause quarter
Pause 1/4
Pause 4
pause eighth
Pause 1/8
Pause 8
pause sixteenth
Pause 1/16
Pause 16
pause thirty second
Pause 1/32
Pause 32
//Specifying pauses in milliseconds for increased accuracy
Pause 564
Pause 125
do, re, mi, fa, sol, la, si
do, do bemolle, do diesis, re, mi, fa, sol, la, si
//If no note length is specified, each note lasts for a quarter note by default.
octave small
C, C flat, C sharp, D sharp, E, F sharp, G sharp, A sharp, B, B sharp
octave great
C flat, C, C sharp, D sharp, E, F sharp, G sharp, A sharp, B, B sharp
volume 127
octave first
F sharp quarter
G quarter
A quarter
B half
G eighth
G eighth
G quarter
Before using subroutines, they should have their names prefixed with an ampersand (&).
Subroutine names can be anything and don’t affect functionality!
Subroutine names always start with an ampersand (&).
The program searches for subroutine definitions from top to bottom through the entire code.
To avoid errors, use the ampersand only for defining subroutines.
In this example, we are using “T53” for better readability.
This corresponds to a tonic major chord.
Subroutines essentially group notes or motifs.
These groups allow creating melodies and experimenting with compositions more efficiently.
Using these motifs significantly speeds up composition workflow.
//List of notes with subroutine/motif names (&T53).
C whole &T53
E whole &T53
G whole &T53
//Execution starts at keyword START.
Start
//Asterisk (*) means all notes are played simultaneously!
//This creates four consecutive chords consisting of notes C, E, G.
T53*, T53*, T53*, T53*
//Without asterisk (*), notes are played sequentially.
T53
//Execution ends at END keyword.
End
C whole &T53
E whole &T53
G whole &T53
Start
T53*, T53*, T53*, T53*
T53
End
//Note duration 100 equals sound time in milliseconds.
//In this case, very fast playing.
C 100 &T53
E 100 &T53
G 100 &T53
Start
//Play arpeggio six times.
T53, T53, T53, T53, T53, T53
//Playing chords six times.
T53*, T53*, T53*, T53*, T53*, T53*
//Simply playing individual notes.
C whole, E whole, G whole
//Slow down execution with TEMPO command.
Tempo 10.0
T53*
//Speed up execution with TEMPO command.
Tempo 1.0
T53*
End
//Example of changing tempo.
//Value 2 slows down playback exactly two-fold.
//Value 0.5 increases speed exactly two-fold.
//Higher numbers mean slower playback.
//Lower numbers mean faster playback.
Tempo 2.0
C, D, E, F, G, A, B
Tempo 0.5
C, D, E, F, G, A, B
D sharp 4 &motiv1
D 4 &motiv1
D 2 &motiv1
B flat 4 &motiv2
A 4 &motiv2
G 2 &motiv2
G 4 &motiv3
F 4 &motiv3
D sharp 2 &motiv3
D sharp 4 &motiv4
D 4 &motiv4
C 2 &motiv4
C 2 &motiv4
Start
Volume 127
Octave First
Tempo 0.7
motiv1, motiv1, motiv1
B flat whole
motiv2
motiv3
motiv4
Pause 400
Volume 120
motiv1, motiv1, motiv1
B flat whole
motiv2
motiv3
motiv4
End
//To reduce file size, notes were placed in external file n.txt.
include c:\1\n.txt
Start
Volume 127
Octave First
Tempo 0.7
motiv1, motiv1, motiv1
B flat whole
motiv2
motiv3
motiv4
Pause 400
Volume 120
motiv1, motiv1, motiv1
B flat whole
motiv2
motiv3
motiv4
End
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